Dewey Ambrosino looks at space, function, (sound), and art and design objects, folding one into the other, shifting supposedly discrete boundaries between and amongst disciplines and fields. He is an artist, designer, and electronic musician whose interdisciplinary practice extends beyond the gallery walls and uses related fields to inform and give each other definition. This multiplicity of practices voids traditional classifications in favor of a cross-vocational critique. Ambrosino’s objects and constructed spaces undulate with hidden functions, hybrid uses, and perverse and humorous underbellies, revealing generative nuances inviting enough to make visitors abandon their passive consumer attitude and embrace the risk of participating.